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Dining With Beatriz

25 Jul

Beatriz at Dinner – directed by Miguel Areta. Drama 82 minutes Color 2017
★★★★
The Story: A Mexican masseuse finds herself stranded in the mansion of a client who invites her to a big-business dinner with a Trump-like hotel magnate.
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Preaching to the choir from beginning to end, nothing relieves the liberal piety save the occasional satire of the other guests and the occasional interest the magnate takes in the person hurling her tedious truisms into his face.

The entire cast is superb in all they do, save Salma Hayek in the title role, who is miscast. In all I have seen Hayek do she is an actor of cascading righteousness, and she is so here. Miscast, because this quality means her character has no place to go internally. Her righteousness leaves nothing for Lithgow to be but immune to her. And we join him in that. The result is either a standoff between them or a war. That is to say, dramatically nothing can occur..

We may laugh at the airs of the kowtowing guests and their formulaic ways with one another. We may delight in Lithgow’s spot-on playing of the magnate. But our interest in Beatriz is forced on us by the consistency of her closeups and the camera’s adherence to her. The film fails – not because of her skill as an actress, for Hayek can act all right – but because from the start, Hayek is set in her ways, pre-determined, already cooked.

The part needs an actress who is open, ignorant, and much lower in class and on the beauty-pageant scale. Someone who can wake up, whereas Hayek isupper class and so wide awake she wants to everyone else out of bed by tossing ice-water in their faces. She repels. This repellent quality of the actress worked in playing Frida Kalho, who was a repellent individual certainly, and, like Hayek, of the privileged class.

A high and honorable place in acting exists for actors who are personally despicable. Vincent Price, Shelly Winters – Laurence Olivier, even. Ida Lupino, Burt Lancaster, Agnes Moorehead, Kirk Douglas, Gale Sondergaard, Robert Mitchum, Gloria Graham, Basil Rathbone, Eleanor Parker, Richard Widmark. When Humphrey Bogart walks onto the screen, this is a person one must take into account! Rod Steiger had a big career. Dan Duryea was a terrific actor. Jack Palance made a fortune by unsettling us. I wish Hayek would find her niche, the place among them where she really belongs, the roles in which she can develop her gift and shine.

 
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Posted in ACTING STYLE: AMERICAN REALISTIC, John Lithgow

 
 
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