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Papa Hemingway In Cuba

08 May

Papa Hemingway in Cuba – directed by Bob Yari. Biopic. 1 hour 50 minutes 2016.

★★★★★

The Story: Ernest Hemingway gets a fan letter and invites the young man into his home with its torrents of rage, depression, despair, love, teaching, and wisdom.

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At the end of his life, the press savaged Hemingway for indulging in:

Bullfighting

Drinking

Beautiful women

Masculinity

Big Game Hunting

Braggadocio

Benders

Bad Writing

Cowardice

All of it was justified, but it was also mean – and ungrateful to what he had meant to every writer who said those things.

It was clear he had big character flaws. But it was also clear that, if all that was true, you could see or imagine that he was also suffering the torments of the damned. He was not well. He had terrible plane accidents in Africa. And perhaps the days of his big books was over. The press incinerated him.

If they had seen what this film shows his condition to have been they might have had the decency to be still.

This is a wonderful film and about a remarkable man approaching the end of his rope. And if we wondered what his daily life might have been at that time, here it is, in all is rawness. He is pitilessly going mad.

His tortured mutually tortuous relations with Mary Hemingway – and what she was like when he wasn’t around. His relations to his Cuban pals. His relation to his male friends. His relations to living. His relations to fishing and to what he relished in the good life. And his imprint on the young man who came to see him, was adopted by him, and whom he turned on.

At first glimpse of Adrian Sparks as Papa, I thought oh-oh he’s too old. Hemingway was only 59 when he died, a worn 59, but not an old man. This impression is immediately dispelled as Sparks plays out the scenes with all the necessary requirements as an actor and as a character. He’s terrific.

Giovanni Ribisi plays the journalist. In real life this journalist experienced and wrote the screenplay which contributed to the film we are watching, and because of that we get a view of Hemingway’s last days that is a revelation.

The film was shot in Hemingway’s home in Cuba. And a sense of authenticity rare in biopics prevails everywhere. We get a real sense of how he was. At times horrendous, at times marvelous. Who would expect otherwise?

Hemingway is honored by the film, as are his wife and his friends. We would not be watching them at all if he had not written those revolutionary early short stories.

Read them. Read them again. They have not dated one minute.

At the time he wrote them, he was married to his first wife, Hadley, whom he betrayed. His betrayal of her crushes him. Wanting to write of her prevents him from writing at all. Unforgivable is what he calls himself.

We do not forgive those we do not blame.

Quietly Hadley Hemingway lived in Douglaston, the town next to mine on Long Island. Everyone knew she was there. No one bothered her. She was spared. And was spared, alas, the book he at last could not write about her.

 

 
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Posted in ACTING STYLE: AMERICAN REALISTIC, BIOPIC

 
 
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