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Darkest Hour

10 Feb

Darkest Hour – directed by Joe Wright. Bio/Docudrama. 125 minutes Color 2017.
★★★★★
The Story: Distrusted, disliked on both sides of Parliament, Churchill is made PM and must face them and Hitler’s overrun of western Europe and the ambush of the French and British armies at Dunkirk.
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The character takes over the actor and, since the character is Winston Churchill, the character takes over everything. But as the purpose of every other character is to squeeze Churchill into a thinner man, the drama consists in Churchill’s temptation to let them do it.

It is a dark hour indeed when a human tempts himself with his own ethical demolition. What Churchill stood for was the expansion of himself into economic security, based on feats of derring-do with prodigies of eloquence to make them known, both before and after. At this he was brilliant.

The question was, was he an honest man? He cared about his country, but did he care about his countrymen? Born in Blenheim palace as grandson to the Duke of Marlborough, did he even know his countrymen? One of the most effective scenes in the picture puts him in contact with them. And one of its most effective strands is his relation to his young female private secretary.

How come Gary Oldman was ever for a moment considered for this role I shall never hope to know. But the question slips from consideration as his Churchill faces the whopper crises of the spring of 1940. Whatever Oldman does here as an actor – and we all know that he is capable of plenty – I hand full credit to him and to his implacable makeup for allowing me to become lost in Churchill’s doings.

I lived through this era. I remember Churchill. I remember picking up the phone when I was 8 and finding Randolph Churchill on the other end, for my father syndicated his journalism. I lived through Dunkirk, for my people were English, and every scrap of news hit home in our household. I read Churchill’s histories of the War later.

But I never knew the key personal crisis he faced from within his war cabinet and from within himself as it seemed he must treat for peace with Hitler who had swallowed Hitler whole and was about to dine on England.

Will Hitler be invited to dinner? So, here I see Churchill collapse into doubt. Collapse. Churchill, a larger even than his own life personality in our world, a living cartoon of himself, is seen human, even by himself.

I like the movie. I liked the depth of its drama and beauty of its filming and the spot-on of its costumes – for I remember the period and what we wore.

But all that is set aside in my personal-biography interest. I was doing what I was doing here, while Churchill was doing what he was doing there. Now I get to put them together.

 
 
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