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The Lady In The Van

28 Oct

The Lady In The Van – directed by Nicholas Hytner. Biopic. 114 minutes Color 2105

★★★★

The Story: A cracked old woman parks her van for fifteen years in the driveway of a British playwright.

~

What is this a duet of?

It is a duet of people whose duet with one another is meant to petrify them.

That’s not a bad premise for a story, because fear of change is a universal and determining human dread.

And yet, we do watch them for 114 minutes not change. Although each is beset by the other and by the chances of life, the more things get crazy, difficult, unlikely, the more each of them becomes entrenched in their own marking time.

She remains impervious to him as a human being. She does what she pleases, says what she pleases, and shits in his driveway when she pleases. He in turn remains displeased. That is what he does, what he is meant to do, what he is a frozen expert at being. Displeasure neither changes him nor rouses him nor wakes him up.

I am not sure Alan Bennett should not have ceded this material to Jean Genet. For it does seem Bennett does not realize the full potential of it. It is a story of unintended masochism on the part of the man and unintended sadism on the part of the lady. Each in his own way is impervious to the other. Each has a hide of leather. Neither becomes intimate with the other, no matter what they may learn of the other. Neither wants to. What you watch is not paint drying. What you watch is dry paint.

But what you also get is two ripe performances. Both actors played it on the London stage to great acclaim and success. Now both performances are filmed by their West End director.

It’s really wonderful to see acclaimed, finished stage performances – such as Julie Harris and Ethel Waters and Brandon De Wilde in The Member Of The Wedding – brought to the screen as treasures, herein by Alex Jennings and Maggie Smith.

In doing this, the greater interest is seeing inside of the doings and workings of a bag lady’s life. We would never be privileged to witness this, were it not for Maggie Smith’s unwashed rags and opinions and the filthy interior of her van, which Alan Bennett actually hosted all those years.

The basic difference between the two humans is that the lady is actually crazy and the man is actually sane. Which makes the relation between them superficial and makes our satisfaction with the movie superficial also. The only story possible, therefore, is that of Alex Jennings as the Bennett character. But Bennett does not know what that story is. As in the film as in his life, for all that happened nothing happened to him.

 

 
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Posted in ACTING STYLE: ENGLISH REALISTIC, BIOPIC, Maggie Smith

 
 
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