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Neruda

20 Jan

Neruda – directed by Pablo Lorain. Biopic. 107 minutes Color 2017

★★★★★

The Story: A poet/politician balks authority and, because his poems are so loved and recited by the people, a bounty is put on his head and he must evade capture by the stupid detective set to accomplish it.

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It is a chase film, 90% of which takes place indoors.

The riches of this arise from our expectations of a chase film being defied by what satisfies them even more.

A bouquet of relationships is slowly unveiled by the film, as each character reveals himself to be the immortal creation of the other. The detective, for instance, whom the poet Neruda has brought into necessary life, has already given himself a name and an ancestry. So each individual is also a creation of himself.

This is not some South American mental toy, but a dramatic force, and the structural principal of this film which consists in repeatedly surprising us.

Surprise is several things but it is seldom satisfying. But here surprise is. Who is the hero? The celebrity poet or the measly detective?

Both actors, Luis Gnecco and Gael Garcia Bernal give slants and lights to a script of charm and originality. They are supported by two great female performances in that of the wife, Mercedes Morán, who understands Neruda thoroughly and blames him for nothing. And by the radiant work of a transvestite entertainer in a bordello, whose defense of Neruda to the police makes everything about the popularity of his work simple, stirring, and plain.

If the film is near you and you happen to know any grown-ups, be swift to buy a ticket, for where I go, Friday and Saturday were sold out.

This is a good one not to miss. You already know to see Moonlight and Manchester By The Sea. Listing this next to them makes it authentic.

 
 
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