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The Way, Way Back

31 Jul

The Way, Way Back –– written and directed by Nat Faxon and Jim Rash. Comedy/Drama. A fourteen year old boy on a ghastly/wonderful seaside vacation. 143 minutes Color 2013.

★★★★★

The perfect summer movie, because it encompasses like an ocean roller all the sun, salty air, sand, sadness, and silliness of the July days of youth. Sadness because one is no longer eleven but fourteen, and defiance is in order.

We have the cast of casts to bring it to us, at least as far as the adult actors go. First there is Steve Carell as the wicked stepfather-to-be, and he daringly offers the character not one redeeming feature. I do not own a television, I had never seen him before, and I understand he is a television entertainer. Well, he certainly entertains us here with this setting-your-teeth-on edge prick.

The can-do-no-wrong Toni Colette plays the lady considering marrying him, and she has wonderful moments in a part which is underwritten and under-examined by the writers, who take the part for granted.

However, present as the blabbermouth neighbor is The Great Allison Janney, one of the finest actors working today. She is a treat and a tonic necessary for one’s health and for one’s belief in the future of the race. There is a public edict out that any film she is opens in must be rushed to. Everything comes alive when she is on. And boy is she on! She is devastatingly funny and extravagantly generous with her gifts, as usual.

Finally, we are offered the madcap amusement park proprietor of Sam Rockwell, an actor who seems to have no limitations, or, at any rate, whose gifts are so pronounced that, watching him display them, one cannot imagine what they might be. He plays the zany owner of the vast Water Wizz aqua- park, where a good deal of the action transpires. The man is witty, quick, and desperate. Rockwell gets all of this: a man who exists for the thrill of summer has cheapened himself and knows it.

The focus of the story is on Toni Colette’s son, played by Lliam James. The writers write less well for him and directs him less well. In fact, an actor of his age needs to be directed exactly like an adult. The difficult is that he plays a mome. And the writers have left it at that and asked the actor to carry more than there exists for him to lift. One has to take the performance on faith, which is fine, since the story has its valleys and joys, as expected of a summer movie, and since its tropes are so familiar one sings right along with the little bouncing ball of it, the audience carrying the load for him, and happy, very happy indeed to do so.

 

 

 
 
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