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Three Billboards Outside Ebbing, Missouri

27 Nov

Three Billboards Outside Ebbing, Missouri – written and directed by Martin McDonough Melodrama. 155 minutes Color 2017
★★★
The Story: A woman, to uncover the murder of her daughter, a crime about which she believes everyone else has fallen asleep, wakes them up.
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Grand Guignol is a writing style whose aim is to cover the audience with as much gore as room-service can carry in on the tray of its plot.

The effect is shock. Outwardly.

Inwardly the outward emphasis on shock forbids depth.

Who suffers from this lack of depth in the writing most cruelly is Frances McDormand, whom we all love, for the style leaves her character of the heroine in the same position in which it first presents her, of rigorous retaliation. It isn’t her fault. Woody Harrelson, as the local sheriff, plays the angel, so of course, he never changes. Sam Rockwell suffers less, simply because his character of the villain is more mobile and less predictable.

In one sense his performance is so good, you think it’s being performed by an amateur. A part of every human being is dangerously stupid. Rockwell does not play-act this stupidity; he discovers, embraces, and revels in it.

Of course, in another sense, Rockwell sufferers most of all, for we are expected to swallow that he undergoes a fifth-act character change from a man who can’t foresee two feet in front of him to a man who can strategize himself into the solution of an unsolvable case. A maniac into a maven on the turn of a dime? Now, I ask you.

What you get with Grand Guignol is a picture drooling with violence and the improbabilities necessary to support its presentation.

If what you want is this, then this is what you want: Cancer blood coughed all over your face, having your mother kick your schoolmates in their groins, covering your head with a velvet bag and shooting your brains out, wife strangulation, a chemo tube wrenched from one’s veins and its blood splashed over the walls, Molotov cocktails tossed into the local police station for no reason, an innocent boy beaten to a pulp and thrown out a second story window, that boy’s young female office mate smashed in the face with a Billy club, pyromania as an act of wifely correction, a window engulfed in flames smashed through by a man to burn almost to death on the street, a lovely teenage girl, murdered, then raped, then set ablaze.

This is the realm of Grand Guignol. It is the realm of BDSM. With the writer/director the dominant/sadist, and the rest of us having to endure the punishment of reading a movie review recording his bent.

 
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Posted in ACTING STYLE: AMERICAN REALISTIC, Frances McDormand: acting goddess, Sam Rockwell, Woody Harrelson

 
 
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