Last Chance Harvey –– directed by Joel Hopkins –– comedy: two losers win. 93 minutes color 2008
* * * * *
This film has a certain winsomeness in its removal from passion, as love finds its way into the affections of its two characters. Both these folks are over 50, so you are in for a very pleasant journey indeed, one more comical and charming than the Deborah Kerr/Cary Grant An Affair To Remember, which it in some ways resembles, this time with the man as the invalid. Kathy Bates has a grand small scene as the former wife of Hoffman, and Richard Schiff and Eileen Atkins carry their parts as far their parts allow them. What we are faced with is the two leads, and no two individuals could be more disparate. Dustin Hoffman is a squirt, and this is “used” consciously by the actor, who is shorter than Thompson. It is at one with the highly controlled sort of acting he always done; his “method”. There is much talk about his “detail” and his “preparation,” but I never see the results on the screen. What I see is banal, shallow, and routine. Besides which, I suppose he is one of the most unpleasant movie stars I have ever seen. His face is uninteresting, but setting that aside, he is an actor who often smiles, but perfunctorily always; he smiles but he never smiles. His voice has an excellent timbre, but it monotonizes everything he says. But what is worst, it and his entire physical manifestation exude self-pity. The note of its pitch is in every noise he makes. It is a bid for a sympathy he does not have the gift or the grace to naturally inspire. And one does feel sorry for him for that. Only once does he appear real: towards the end of the film there is a shot of him in which he looks very very old, and it occurred to me that he has always been old and that that was his forte. Opposite him is the infallible Emma Thompson, and how it comes about that these two play together so well, or are able at least to perform their own roles with separate excellence is a mystery to me. She has true wit, openness, smarts, readiness, openness, grace, womanliness, openness. Anyhow, I recommend the piece. It is a film for grown-ups, the story of older people who, not supposing they ever could, do begin to love someone again.