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Archive for the ‘Joanna Lumley:ACTING GODDESS’ Category

The Wolf Of Wall Street

03 Jan

The Wolf Of Wall Street – directed by Martin Scorsese. BioPic Black Comedy. 189 minutes, Color 2013.

The Story: The rise and rise and rise of a sharpie-broker to the heights of wealth and disorder, and the outcome in ultimate wealth and disorder and gullibility for all.

★★★★★

I was disappointed to read in the credits that The Wolf Of Wall Street was based on someone’s life, for it is such an imaginative movie, I expected it to be as made up on the spot as the many dodges it chronicles. It is the wittiest movie I have seen in ten years.

It starts with a 26 year old Leonardo DiCaprio being put in a trance by Matthew McConaughey, a trance in which he remains for the duration, and in that trance enacts the dance of greed and more greed (in the word “greed” the “more” is silent), until at the end we are shown the whole world to be in an obsessive trance, too.

McConaughey’s fugazi-cadenza of the fairy dust of Wall Street opens the piece with a The Gambler’s Creed. It shows that capitalism, meaning brokerage investment (meaning stock and bonds), is silly. For it is based on a cheap thrill. To which one and all must be addicted. Meaning entranced. Get Rich Quick is the silly thrill.

The film is a must. For the writing. For the mastery of execution of the director. For the performances of the McConaughey, along with Rob Reiner as Belfort’s irascible father, Margot Robbie as Belfort’s second wife, the beauteous Joanna Lumley as her aunt, and everyone involved, small part to major. Jonah Hill is the co-star, and his scenes put one in mind of the early work of Scorsese in Raging Bull, as does the acting work throughout, with its ruthless improvisations and trash talk at will.

Leonardo DiCaprio, an actor of deep shallowness as a leading man, brings his thin-sliced white bread and slather of profound character-acting talent to bear on the part of the cavalier investment broker on the make, and gets up on his hind legs, and his abilities shimmer throughout the picture and hold our interest at a fascinated distance, as he continues his compulsion to trick the customers into speculations from over-the-counter penny stocks, which no one may profit by but him. He gives us a deal of rash playing. The entire performance is flavored into reality by the fragrance of a Bronx accent.

The law bears down. This does not dissuade him from drugs, sex, and high-rolling.

But why go on? Why spill the beans, when it is such a pleasure for you to see them topple out on your own? It is because of Scorsese’s dab hand with this material that you must  attend, and for DiCaprio’s in playing it out with him.

Is it the best film Scorsese has ever made? Could be.

You tell me.

 

Alice In Wonderland

16 Mar

Alice In Wonderland – Directed by Nick Willing – Fantasy Live Action TV production. A Victorian 10 year old girl doesn’t want to sing at a party and runs off into the garden and down a rabbit hole and so forth. 133 minutes Color 1999.

* * *

A labored telling of a dream, oh dear, and we all know what that means. Lewis Carroll’s original, of course, is the most revolutionary work of English literature since Shakespeare. But here everything is literal and old mad hat. Here is a work that should work with the speed of film and works with the speed of high Victorian taffy. Film would be ideal for the material. But the sequences go on at great length and to no good. A director’s collision. Poor Martin Short who must endure himself straining through the same grimace reel after reel. Pete Postlethwaite in a sub-supporting role as The  Carpenter who duets with Peter Ustinov’s The Walrus, but, boy, is it clunkilly staged. Whoopie Goldberg alone survives because she really does have the smile of a Cheshire Cat, and because she is so knowing. And the great Elizabeth Spriggs triumphs as the Duchess. Otherwise the whole farrago is a Caucus Race. Gene Wilder as The Mock Turtle and Donald Sinden as The Gryphon were missing from the version I saw, so perhaps they, with a sigh of relief, are well out of it. Alice In Wonderland could satire anything around that is there to be satirized and allegory anything around to be allegorized. This version has wonderful costumes, true, but consists of  encounters with a series of very rude bad tempered personages indeed, and, alas, that is all it is. It just won’t join the dance.

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