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Archive for the ‘Written and Directed by Max WInkler’ Category

Ceremony

24 Jun

Ceremony. Directed and written by Max Winkler. Chekhovian Comedy. A young fool tries to run off with a to-be bride just before the wedding. 89 Minutes Color 2010.

* * * * *

How does Lee Pace, without stealing, steal every scene he is in? He is a master actor, but that’s not why. A young man from Oklahoma, he plays an upper class British millionaire naturalist/filmmaker/star, and the English accent comes right from his bones, but that’s not why. He is tall and beautiful and sexy and young, has a fine rich speaking voice, and remarkable eyebrows, but that’s not why. No, the reason is, is that he is inherently a star, someone gifted with an inner character of soul which is meant to be seen and basked in, the same way you would bask in that of Joan Crawford or Joel Macrea or George Clooney or Edward G. Robinson or Rita Hayworth. They must be watched. You wouldn’t want to do anything else with them. They are there to be on the screen and stared at wondrously. So what you do with a star like Lee Pace is to be gaga, a little blinded, a little dazed. A surrender like that is such a treat, and its one of the reasons we go to the movies. Another is to place ourselves in the doings of such a story as Max Winkler offers us, with its rare mad excursions into side-room scenes in the lives of its five principal characters, played with juicy finesse by Uma Thurman, Reece Thompson, Jake M. Johnson, and Michael Angarano who is the focal character around whom all the other four swirl. I found his performance vexing. His face works as though he is chewing gum all the time, but he never is. As an annoying gnome, his miniscule grimaces are particularly prevalent at the beginning of the story, but as the story develops, the obsessive, greedy liar he is playing succumbs to the constant onslaught of well-deserved cruel truth, and the character almost becomes a human being. In character, the actor is truly nonplussed. He is knocked out, but will he ever wake up? This is an interesting trial for an audience, and a worthwhile one, because it keeps the narrative in suspense – asking both what will happen to this brat and will I ever come to like him? He is driven to steal a woman who is older than he is, who is out of his league, whom he cannot support, and who would make him a terrible wife. The script by Max Winkler is superbly surprising at all turns and corners. I think he is putting the kibosh on grunge comedy once and for all (if only). He has written (Four Weddings And A Funeral keeps coming to mind) – a comedy with the wit to make people real – that is his humor – and to make them sad – that is also his humor. Sad in the sense that every one of them is a sad sack, and funny in that every one of them is bright as all get out. Don’t miss it.

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