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Archive for the ‘Frank Pangborn’ Category

Vivacious Lady

25 Jan

Vivacious Lady – directed by George Stevens. Comedy. 90 minutes Black And White 1938.

★★★★★

Charlie Chaplin said A Place In The Sun was the best American movie he had ever seen.

What was it that made George Stevens’ films so mesmerizing, so engrossing?

Those closeups of Elizabeth Taylor over the shoulder of Montgomery Clift? Yes, but you saw not just the beautiful eyes of a beautiful seventeen year old girl, you also saw she was in love.

You see the same in closeups of Joan Fontaine and Douglas Fairbanks Jr. in Gunga Din.

And you see the same thing here in Jimmy Stewart looking at Ginger Rogers for the first time in Vivacious Lady. Jimmy Stewart told us that he lost his virginity to Ginger Rogers. She would have been 27 and he 30 at the time the film was made. And is that what we’re seeing in his agog eyes? Gratitude? First love? Surrender? It looks so real and dear.

It may just be that Jimmy Stewart was a marvelous actor. For certainly the love-scenes are delicious between them – funny, apt, sincere, clumsy. You just don’t want them to end.

George Stevens directed great comic love scenes. Tender and true. Or did he? When you look at The More The Merrier and you come upon the seduction scene on the stoop, if your heart isn’t filled with the humor of those passes and spurns, you must go back again to be born. How did Stevens do it? Was it luck?

I don’t know what George Stevens had for actors. As a film–maker of comedy before The War he is unrivalled in his visual grasp – he made no comedies after The War because he was the first to see Dachau and film it and the sight of is changed him permanently. His embrace of the actor is like no other, before or after The War. But before the war we have his trove of Americana comedy. Vivacious Lady is Stevens’ gift to us of ourselves.

Charles Coburn was an actor any director would thrill to have. (He won an Oscar later for The More The Merrier.) Coburn plays the heavy father of Stewart. He gives full value and a balance learned from playing many Shakespearean heavy fathers, which require comic high-horse just short of meanness. Beulah Bondi is lovely as his put-upon but shrewd wife. Ginger Rogers is as always willing to play the fool and give us an upside-down game when needed. And it’s great to see Jimmy Stewart deliver a full-on dressing down when the time comes. When someone like that gets angry, watch out!

Like the routine at the end of Woman Of The Year, the Vivacious Lady closing comes too long and too late. But never mind. Just enjoy yourself. When you’ve seen it once, watch how he films it. When you’ve seen it twice, watch how he lights it. When you’ve seen it thrice, watch how he details it. When you’ve seen it never before … just watch.

 
 
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