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Where’d You Go, Bernadette?

18 Aug

Where’d You Go, Bernadette?—directed by Richard Linklater. Drama. 130 minutes Color 2019
★★★★
The Story: Is this woman going insane?
~
What do you want from a movie?

The world!

Yes!!

And, if you can’t have that, then Cate Blanchette.

And here she is playing another different, difficult woman. I say “different” because you may remember Bette Davis. Bette Davis never played difficult women. She played impossible women, and they were all the same because she played them all the same, wonderful as she was. Blanchette’s are distinguishable from one another. Because she doesn’t play them all the same.

That she plays a genius here is not the difficulty. But it’s interesting.

Two things about it are interesting. The first is that you believe it. And the second, which has to do with the story, is: what does she have a genius for? And how is that joined to her madness?

Behind this lurks the deleterious narrative motive that this all has to do with +metoo issues, and also that these can be wrapped by a very small package of dialogue. The problem is, to begin with, *metoo issus can’t be wrapped up at all. First because they overflow the strings which they include. And secondly because +metoo issues do not pertain to this material.

This is the story of a woman who is chewing off her own tail by mocking the world around her. The director tips the odds against that world—which is not fair to the audience—but, by so doing, what harm is this woman doing herself, even so?

She is consuming herself alive, and this is the fascination of the performance and its mystery.

So what will save her?

To me the answer is imaginative and visibly wonderful.

Blanchette’s acting has great passages, if that’s worth a ticket to you. And she has
fine support in Billy Crudup, Kristen Wiig, and Laurence Fishburne, lovely actors all.

Be warned: the film enters an architecture of human difficulty not spared to females only.

 
 
 
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