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Home At The End Of The World

23 Sep

Home At The End Of The World –– directed by Michael Mayer. Drama. Two male lovers housekeep with a screwy female. 96 minutes Color 2004.

Robin Penn is far too old to play this lady with the rainbow hair. It’s a part for a fat young woman with no confidence in her own sexual attraction. Robin Wright is very handsome and is in her late 30s, and she would not be fooled by this hair for a Manhattan minute. And the actor, in fact, does not relate to the hair at all; she simply wears it with less adventure than she might wear a Halloween wig. It is an earmark of a performance by an actress, usually canny in her craft, usually offering us something novel and brilliant. And yet one feels that she is fully engaged. And so she is. The trouble is that there is nothing very much for her to be fully engaged with. She is a tiger engaging with an antipasto.

The script and the direction are flimsy, the tone of the picture is false, the casting is false, the playing is false. Sissy Spacek’s work is vaporous.

Colin Farrell is off-base and phony as the adult gay lover. He play-acts innocence and dumbness. His eyes wander about like Mayflies, and he affects a little lost smile. It is a strange piece of amateurism, when his own innocence, his own stupidity would have done just fine.

And worse still the director and author seem to think that homosexual relations are devoid of blood-rare lust, that they are something one sips genteelly like lemonade. For none of the players evince anything more than a pastel passion.

This is fraudulent. Aside from there being nothing at stake in it and therefore no drama, it is an attempt to make homosexuality nice – which is stupid – since part of the charm, the power, the influence, and triumph of sex of any kind is victory over the “nice.” “Oh, for a delicious smooch!” as one finds in Almovódar’s Law Of Desire, for instance. “Oh, for a great big juicy steak!”

And to top it off, the film does a toe-dance over the affliction of AIDS. It offers us the Farrell character as too stupid to know his partner has it, when it is obvious that that is exactly what he has.

So, spare yourself the dismay. Do not, whatever you do, take up residence in the Home At The End Of The World.

 

 

 
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Posted in ACTING STYLE: AMERICAN REALISTIC, Cissy Spacek, ENSEMBLE DRAMA, FAMILY DRAMA, Gay, PERSONAL DRAMA, Robin Wright

 
 
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