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The Normal Heart

24 Jan

The Normal Heart – directed by Ryan Murphy. Docudrama. 133 minutes Color 2014.

★★★★★

The Story: AIDS comes to the notice of a group of young men and a female physician, who gather together to do something about it.

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The Normal Heart and Selma resemble one another in showing us the backstage drama of two adamant men who fought for equality in America. Larry Kramer fought for public recognition of the AIDS plague, which was sidelined by indifferent politicians as trivial. Martin Luther King Junior fought for voting rights for those whose right to it had been sidelined by indifferent politicians as trivial. See them both, why don’t you? You’ll get a bracing dose of contemporary history.

To cast the disagreeable, in-your-face screamer Larry Kramer one would have thought of a young George C. Scott or Al Pacino. One would not have thought of the panda Mark Ruffalo. He is so agreeable. So malleable. So soft. But there he is firing with all canons.

And Kramer’s methods alienate those near to him in the cause, both because he is obnoxious and because they believe his methodical throwing of vitriol in his adversaries’ faces will dampen the cause of recognition and action on the part of the government and the press. He is perhaps more incensed by the dismissal of homosexual humans than of sick humans, I’m not sure.

It’s a story whose tension hangs between, on the one hand, the character of his brother, who acknowledges the Kramer character as almost, but not quite human for his homosexuality and on the other hand the human loves dragged to an early and ignominious grave by a disease which was deemed unimportant because it was seen as exclusively and merely gay. The crossing over of this brother, beautifully and memorably played by Alfred Molina, to the love common to all is the resolution of all the barriers, public and private, which we see marked out before us, as AIDS is demonized, misunderstood, and dismissed, as it crawls to a place at the table.

Julia Roberts is excellent as the first clinician to take note of and treat the disease and to report its symptoms and recurrence. I particularly liked Jim Parsons as the office manager who makes the revolution practical. The nervous breakdown risked by all who did the work is beautifully performed by Stephen Spinella.

Larry Kramer’s was a voice crying in the wilderness of his own side. Martin Luther King Junior was the same. Proactive both, their methods were different, and neither cause would have prevailed using the other’s means. Their greatest enemies lay within their own camps. King orated, Kramer ranted. Kramer made a huge unpleasantness. He is one of the vile heroes, like Oedipus – people of extremely unpleasant character who nonetheless lay down their lives to move the human race forward one step, and do so. We – and by “we” I mean the world – are all in his debt.

 
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Posted in Alfred Molina, Gay, HIGHLY RECOMMENDED, Julia Roberts, Mark Ruffalo

 
 
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