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True Detective

12 Apr

True Detective [Season 1] – directed by Cary Joji Fukunga. Police Procedural 8 Part HBO Series. Color 2014.

The Story: Two incompatible cops are assigned to solve a strange crime.

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The film is a remarkable collation of production, writing, design, filming, direction, editing, and acting. With one exception.

Matthew McConaughey is not that exception. For if you ever wanted to know what power in acting looks like, here it is! Power does not require scenes of vocal range, emotion, or physical display. It may include them, but the sense always is that the artist is nowhere near the limits of his technique, but that the range accessible to that technique is without limit, given the material at hand, the canvas at hand, the occasion at hand.

Seeing him one would never make the mistake of supposing that McConaughey could sing opera or play King Lear. He is an actor who never tries to dupe us into believing that he is greater or other than he is. There are more kinds of great actor than Daniel Day-Lewis.

For, watching him, nothing comes to mind but the desire to continue to do so. We are not distracted. Instead, we sense we are in the presence of a rare opportunity an actor of rare and minute focus, of tiny gesture, each one emerging from his guts in a part perfectly suited to him.

Inside the actor one senses latitude without boundary, which means: the ability to release the material as he wishes, a fastidious rendering of the role’s structure, a sense of the proper size of the role, a sense of a cunning relationship to the architecture of the story as a whole. He understands the period. He understands the rubric of film. He understands the decorum of the character. He can create the titanic with perfect silence. Large or small in his effects he is relaxed. As an actor he is operating out of freedom and in freedom. So all this appears easy.

It is not the same for Woody Harrelson. Harrelson is in a less gutsy role but a more emotional one. But Harrelson is given to a grotesque grimacing with his lower jaw. It is hard to watch and impoverishing to the performance. What is odd is that concurrent with this facial gesticulation is a good actor at work. He is not mugging, but it looks like mugging. Harrison is full of emotion, but releases it through a tic, which someone should be kind enough to ask him to stop. One turns one’s eyes from him, until McConaughey has occasion to call his character a moron, which, unfortunately is what the actor looks like!

It’s too bad, but it does not ruin a story that proves what others have said that the best film drama these days is on cable series TV.

If True Detective is typical, mini-series TV has also changed acting style. No longer speeded up by commercials or by a two-hour time limit set by cinema owners, actors now have space to slow down and open up their work. Golden Age Hollywood Crisp acting is nowhere on view in these mini-series. Nor is modern TV acting or movie acting what we see. No, rather it’s a style of acting with latitude of range, time, and silence. In its spaces we sit and contemplate the vast paradoxes that the art of acting has to reveal about human nature. No one on earth has a greater sense of this than actors.

I understand Season 2 has a different story and performers and that Season 1 is complete in itself. By all means, see True Detective Season 1.

 
 
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