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Lady Of Burlesque

17 Dec

Lady Of Burlesque – directed by William Wellman – a backstage mystery comedy about a hooch dancer and a couple of murdered canaries. 91 minutes black and white 1943.

* * * * *

Every student of film and every person fascinated by its craft could not do better than to watch William Wellman’s management of crowd movement in this back-stage whodunit. The set is spectacularly real in terms of its seediness, dusty props, crumby dressing rooms, and crowdedness. The film is alive with imaginative motion. Which stops dead when the inspector calls to examine the personnel and everyone has to gather in a dressing room that allows of scarcely any motion at all. So the movie lurches effectively between the hurly burly and hustle of the shows and the standstill of these scenes. Michael O’Shea plays the two-bit fool who woes the heroine and he is perfectly cast because he is lower-class at heart and so is Barbara Stanwyck, a Brooklyn girl from way back. She is not physically convincing as a Burlesque Queen; she does not have the aplomb or the powerful double-entendre of a Gypsy Rose Lee who wrote the story, but otherwise she is marvelous, for two reasons. She is a person of determination: her walk is like a naval destroyer moving across a duck pond. And she had the common touch. The burley-que life on stage was coarser than what we see here, but the casting of the girls with their snappy slang brings out the necessary, as do the costumes organized around their bodies not to reveal their sexuality but to astound by exaggerating it symbolically. A g-string tells less than a three foot hat!

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