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A Star Is Born 2018

01 Nov

A Star Is Born—directed, written, composed, produced by Bradley Cooper. Musical. 136 minutes Color 2018.
★★★
The Story: A catering waitress meets a singing star who helps to turn her into a singing star, while, because of his alcoholism, his own star fades.
~
A Star Is Born is a poor title for this material, since we never sense we are dealing with anyone close, in any sense, to their birth.

No actress who has ventured into this part has been a beginner, either in show business or in life. When Janet Gaynor did it in 1937 she was 31 and had already at 21 won an Oscar, Judy Garland in 1953 was 31, Barbra Streisand in 1976 was 34, and Lady Ga Ga in 2018 is 31.

They were all ten years too old for the role of an undiscovered beginner—particularly since musicians are generally discovered young, as each of those actresses in real life were.

Lady Gaga is up against some pretty memorable guns. She cannot match the charm of Janet Gaynor. She cannot match the lovability of Judy Garland. She cannot match the vocal prowess of Barbra Streisand. Although she is inherently a better musician than any of the singers, she is not young and from the look in her eyes, never was young.

As a show-woman she is in the line not of a pop singer but of Madonna (“madonna” means “lady) but is a better singer and musician than Madonna. As a show-woman, of the four women she is the most striking, daring, and original, but not in this part which has nothing to do with Lady Ga Ga on evidence on TV. Instead she remains a squat, olive skinned, Italian-American Joanne Germanotta with eyes that have already seen beyond everything they happen to be looking upon.

Keeping Lady Gaga in this incarnation, when everyone knows that Lady Gaga is at her most endearing, most real, and most vulnerable to our interest when she is most transvestited. Only when most artificial, most gotten up, most bewigged is she truly revealed.

Being a lump of ordinary neighborhood does not work for this material, even as a starting point. Garland, Streisand, Gaynor were never ordinary. But Inherently Joanne Germanotta is nothing special. What is special is her sense that something wild and bizarre must be constructed to frame and paint on its canvas that which can embody a soul for all to see and delight in as universal to us all. But this is not the story of the caterpillar, Joanne, drawing out of herself that true beauty and butterfly Lady Ga Ga. Therefore, alas, Lady Ga Ga is not in the film. Instead Joanne Germanotta is. And no one is born.

The only thing that carries her performance in A Star Is Born is that, as an actress, she is as good as any of the others who have played the part.

The film is misnamed also because her emergence as a star is not the real story of the film before us. The real story of this version takes place in the relations she has with her established singing star husband. That relationship begins and is played charmingly by her and by Bradley Cooper who produced, wrote its music, wrote its script, acted it, sang it, and directed it.

So, you would think he would take care to present his own character on camera properly and to ask someone to correct his acting choices

But for the last three quarters of the film, Cooper disappears. He disappears because the camera does not look at him full in the face. He disappears because he mistakenly plays Mr. Maine as inverted, introspective, reserved. He plays everything into his lap. But A Star Is Born is not a comedy in which shyness might be fun. Of course also, Maine is also an alcoholic, and alcoholism is an ocean in which one is invisible while standing right there. So the real story is lost in the disappearing act of its male star.

I made sure to see it in a picture palace, but the Dolby Sound drowns the voices of each singer, such that not a word they sing is discernable. Or else the actors speak in under-articulated whispers or in whispers their mikes could not articulate. You may as well be deaf as to attend.

If you want to see a marvelous movie about a singer who rises from ethnic obscurity to birth as a star, see Jersey Boys. It’s about Frankie Valli, and is a much better film as film. Better as to the approach to the music. As a musical. The music’s audibility. The thru-story of the characters. The relationships. The acting of everyone in it. And the ability of director Clint Eastwood in executing the material to slowly win the audience’s engagement such as to make our seduction into it part of the story as well.

None of this is true of A Star Is Born 2018. A star is stillborn is the obvious, unfortunate, bad joke finally required.

 
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Posted in ACTING STYLE: AMERICAN REALISTIC, Backstage Musical, Bradley Cooper

 
 
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