RSS
 

Youth

23 Dec

Youth – directed by Paolo Sorrentino. Drama. 124 minutes Color 2015.

★★★★★

The Story: Two old artists recuperate at a fancy Alpine hotel as their pasts and futures converge on them.

~

You wonder momentarily under what circumstances Michael Caine and Harvey Keitel could have become boyhood best friends, but the common ground is, of course, that both are walking slums. Caine has risen to great heights as a conductor and composer, but he is retired and now refuses to conduct a composition of his before The Queen. Keitel is in retreat with his screenwriters to finish his latest script. They are both in their late 70s, and what the film is about is less its story, which has its suspense, than what old age is like for each of them.

It’s not bad. It’s not what you thought it might be – which is to say that fleeting memory is not looked upon as a defect or loss, but as an advantage which offers to them a wider horizon for living life itself. Life itself, lived, with that horizon filled with nothing but itself. Not dismay. Not fear of death. Not major discomfort. Not regret or remorse or nostalgia for what has departed. But simply space.

I have never seen the matter of age presented in this way, and I, as an 82 year old, welcome the painting of a recognizable landscape. Dignity does not consist in resignation, or bearing-up. It consists of looking reality in the face with shrewdness and humor. And this takes a relish in a slower pace, which this film affords, and a willingness to forgo colors one no longer can relish and to enjoy colors one never expected existed.

The aim of certain scenes does not hit their target, such as the parade of Keitel’s screen heroines on a hillside. But many stern and stunning scenes hold my respect for their novelty, daring, beauty. We are given a good long time to contemplate here, which is what being 82 gives you. Editing does not rush us by. Things can register.

Youth’s story is told with a quirky idiosyncrasy easy to get used to. Jane Fonda has three terrific scenes, one with Keitel, one going nuts in an airplane, and one as a peasant woman holding a basket. Rachel Weisz is particularly fine in a long monologue. Paul Dano is just right as an abused movie star. Luca Bigazzi filmed it beautifully. And the concert at the end is certainly worth waiting for.

The director also directed The Great Beauty, which won the 2014 Oscar for the Best Foreign Film.

 
 
Rss Feed Tweeter button Facebook button Technorati button Reddit button Myspace button Linkedin button Webonews button Delicious button Digg button Flickr button Stumbleupon button Newsvine button