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The Sisters Brothers

08 Oct

The Sisters Brothers—directed by Jacques Audiard. Western Color 121 minutes 2018.
★★★★★
The Story: In gold rush days, four men, determined to kill one another, meet over a mother lode.
~
There’s nothing like a movie to do it for ya! On a big screen! In a theater with others! For the drama! For the spectacle, the dash, the color! For the ticket to see if it’s worth it! For the satisfaction when it is!

Here we have four males driven by their separate dispositions such as to torment us as to whether their encounter can shift the natures of any of them.

The chemist, Riz Ahmed, is an activist seeking to revolutionize society.

The tracker, Jake Gyllenhaal, is an overbred flaneur seeking fulfillment.

The assassin, Joaquin Phoenix, is a bloodthirsty maniac.

The mediator, John C. Reilly, is a warden wanting different employment.

The last two, Reilly and Phoenix, play the Sisters Brothers, a partnership made in hell, because inescapable. Paid killers in Siamese-tandem.

The forces of their natures lead them to take baths only in dirty places. But they ride through fields of flowers to get there. Through yellow lands. Under mountains made for prayer, of prayer.

None of this we see them notice, until the end, when one of them fools us all.

One’s interest never jades watching these contrasts. One sees them through the magic camera of Benoît Debie whose shots throw one into the spectacle as a necessity. Radiant, right, surprising—and the same can be said of the editing by Juliette Welfling. If these two don’t win Oscars for this I’m a cow.

The director, Jacques Audiard, who co-wrote it, caught Gyllenhaal, Reilly, and Phoenix at the top of their game, which means you do not know what to expect of them and so seek to know them better, and think you can, but can you?

You sit on the edge of a suspense so keen you haven’t even witnessed it before. Is Ahmed a con-man? Are they and all of Dallas being duped? Can our altruism root for him, him with his big clear eyes? Or will that too get conned? We feel our trust teeter as the story teeters.

The film unfolds as broadly as the landscape it covers, which is Oregon and Northern California. The story’s excitements are constant, and its surprises are long in coming but just. We never expect them but are never betrayed by them.

We have many great Westerns in the canon. Is this another?

 
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Posted in ACTING STYLE: AMERICAN REALISTIC, Jake Gyllenhaal, Joaquin Phoenix, John C. Reilly, WESTERN

 
 
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