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Archive for the ‘Sara Algood’ Category

This Above All

19 Jul

This Above All – Directed by Anatole Litvak. Wartime Romance. An upper crust girl falls for a man with a past in WWII England. 1 hour 50 minutes. Black and White 1942.

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Young Joan Fontaine had a habit of marrying handsome suspicious neurotic men. She had that year won the Oscar for Suspicion with Cary Grant and had Rebecca to her credit. It brought out her skill as a good-hearted victim-girl. She is quite lovely in this, with that same sweet smile that graced her sister. Fontaine’s talent consists of a vulnerable charm and a humorous, good natured femininity, so characteristic of the female actors of that era, and quite welcome to one’s eyes here. You can see what she can do well, in her big early speech, when she tells off the formidable Gladys Cooper: “When you and Uncle Wilfred talk, I seem to hear words oozing from the holes of a moth eaten sofa,” which is a pretty good line. She delivers all the meaning, and holds back all the meanness — which is correct for this character and situation. And you feel for her difficulty in having to do that interminable speech later about How We British Must Soldier On! She lyricizes it into The Far Horizon, which is a mistake: she should simply deliver it right into Power’s eyes. But who can blame her; a speech of that length would daunt the doughtiest actress, which she certainly was not. Tyrone Power is another matter. He had remarkable eyes, and a face completely animated when speaking, so that his inner life moves invisibly through it. I say “invisibly” because he is not “doing his face”. Rather his inner spirit passes through his face, without grimace, without movement, and that genuineness is what people are really picking up from him, reading without eyes. Myrna Loy said of him: ‘He had a very strong sense of other people, heightened by a kind of mysticism, a spiritual quality. You could see it in his deep, warm eyes.”  And so the handsomest man in Hollywood never uses his looks to get what he wants. That’s not the way he was wired. When she asked him what he would like to be if he were not Ty Power: “‘I would like to be the wind, so I could be light and free and be anywhere I want at any time., I could go all around the world and look in people’s windows and share their joys and sorrows.’” It make him a highly sympathetic, responsive and fluid actor. Good for him. Young actors who want to learn film acting would do to watch him.

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Roxie Hart

11 Jun

Roxie Hart – Directed by William Wellman. Comedy Satire. A gum snapping wannabe dancer is put on trial for murdering or not her wannabe producer in the 1920’s. 74 Minutes Black and White 1942

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One of the funniest movies I have ever seen, and one of Ginger Rogers’ three great comedic film performances.  It’s an out-and-out American farce on American promotion, its relation to American justice, and the relation of both of them to American sex appeal. Adolph Menjou and Ginger Rogers head a cast of brilliant supporting performers, among whom we have Lynn Overman, Nigel Bruce, Spring Byington, Sarah Algood, William Frawley, Phill Silvers, and George Montgomery. The piece is so well-written, by Nunnally Johnson, that all Sarah Algood has to do is stare fixedly at a newspaper and say the word “Children” for me to fall off my chair laughing. William Wellman directed it, whom one does not mainly associate with comedy, but, boy, he didn’t miss a trick here. (He also, of course, begins it in the rain.) As to the actors, nobody misses a trick. Watch Ginger prepare to faint by hoisting up her skirt over her knees. It is based on a stage played called Chicago, and it eventually became the musical called Chicago, but the delights of this piece, which is actually filmed closer in time to the Roaring Twenties, bring forward all the gum-snapping smart-alecky attitude of that era and also of the times we live in now, with its easy remorselessness and eye-rolling acceptance of Madoff and The Money Boys. Wall Street today is so crass and unregenerate you gotta laugh – ‘cause they’re getting away with it — Civic Conscience reduced to a political cartoon. Here, even innocent clean cut George Montgomery ends up tossing them back and cynical. Rent it. Sit back in your seat. Ya gotta love it. Ya just gotta!

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