Archive for the ‘GREAT FEAT DRAMA’ Category

Where’d You Go, Bernadette?

18 Aug

Where’d You Go, Bernadette?—directed by Richard Linklater. Drama. 130 minutes Color 2019
The Story: Is this woman going insane?
What do you want from a movie?

The world!


And, if you can’t have that, then Cate Blanchette.

And here she is playing another different, difficult woman. I say “different” because you may remember Bette Davis. Bette Davis never played difficult women. She played impossible women, and they were all the same because she played them all the same, wonderful as she was. Blanchette’s are distinguishable from one another. Because she doesn’t play them all the same.

That she plays a genius here is not the difficulty. But it’s interesting.

Two things about it are interesting. The first is that you believe it. And the second, which has to do with the story, is: what does she have a genius for? And how is that joined to her madness?

Behind this lurks the deleterious narrative motive that this all has to do with +metoo issues, and also that these can be wrapped by a very small package of dialogue. The problem is, to begin with, *metoo issus can’t be wrapped up at all. First because they overflow the strings which they include. And secondly because +metoo issues do not pertain to this material.

This is the story of a woman who is chewing off her own tail by mocking the world around her. The director tips the odds against that world—which is not fair to the audience—but, by so doing, what harm is this woman doing herself, even so?

She is consuming herself alive, and this is the fascination of the performance and its mystery.

So what will save her?

To me the answer is imaginative and visibly wonderful.

Blanchette’s acting has great passages, if that’s worth a ticket to you. And she has
fine support in Billy Crudup, Kristen Wiig, and Laurence Fishburne, lovely actors all.

Be warned: the film enters an architecture of human difficulty not spared to females only.


The Cut

06 May

The Cut – directed by Fatih Akin. Family Drama 2 hours 18 minutes Color 2014.
The Story: A young husband and father is conscripted into the army and separated from his wife and daughters by many perils and pains, yet seeks to find them wherever they may be
I bow down at once. A masterwork!

And that is partly because I had no interest in the subject before. Some Armenians? Some war? No blond people? No tap-dancing?

But I was held from the moment it began, and could not possibly anticipate its ending.

So beautifully and simply made. Moving from the vast barren mountains and blond deserts of the Middle East, to a series of locales which I shall not name to you, for fear of spoiling their importance to the story.

I was agog at the travails and trials this young man went through, and the solutions he found for them as he moved the heaven and the earth that lay upon his shoulders.

I don’t really want to say a single thing more about this piece. Because I want to you know them for yourself right in front of your eyes.

Beautifully acted, directed, produced, costumed, scored, shot.

The thing I most understood about it was how he refused to abandon his daughters, how he would not allow himself to be separated from them, how that tie to them in him forbad him from relinquishing his family bond to them, how he set everything aside, every consideration, every pleasure, every opportunity for money or success, or comfort in order to make sure his daughters knew their father was alive and had sought them.

One day when we meet again, I will ask you, eagerly, if you saw The Cut.

And you will thank me gratefully that you have.

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