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Archive for the ‘ENGLISH ROYALS’ Category

Downton Abby, Season 3

18 Jul

Downton Abby, season 3 – various directors. Period drama, 8 part TV series. Will the great house fall or will it not fall? Color 2012.

★★★★★

Is it based on George Stevens’ Giant? It is largely the same story: enormous holdings are  invaded by the younger generation with ideas of their own and with tolerances intolerable to the masters of the spreads. Bick Benedict is the American Robert Earl of Grantham, and The Riata the holding comparable to Downton. Outsiders and lower-class folk interlope into the families, and Robert and Bick must learn new ways, or succumb. Members of the families marry outside their station, and always hypogamously. And everywhere the ranching and the farming are impressive.

Anyhow, here we have another topping season of one’s favorite characters, acted by a first class cast. I won’t summarize the story, why should I? Once you start it, two seasons back, you tell it yourself as it goes along. This version does contain the killing of two major actors, but be it far from me to reveal who. (One of them got a job in a Broadway play, and so must die. Serves that actor right.)

The clothes gain in brilliance and beauty and cut and tailoring. The makeup. The direction. The writing.

Oh, wait, the writing. This version includes the presence of Shirley MacLaine, and writing of her part is all wrong. Why is that? Because there is nothing dramatic at stake with the character being brought in. There is no question in the MacLaine character that she will provide the money. She cannot, even if she would.

Vilely costumed and wigged, her entrance is a put-up job. The scenes she plays are also not well written in terms of the other characters. All Americans are thought of as vulgar upstarts by the aristos of Downton, and perhaps by the author Julian Fellowes as well. Indeed she is even given the Jewish name of Levinson, although nothing is made of this. Her daughter, The Countess Cora, beautifully played by Elizabeth McGovern, is the finest lady in the Abby – so how could she have such a woman for a mother?

To play the part, Shirley MacLaine, who actually as a person is vulgar, is hired, I imagine, in order to confirm this view of American vulgarity. And she does. Therefore the play, even on the level of character surprise has nowhere to go when she comes on.

Nor does anything witty or rare arise in the playing of MacLaine with the other characters, such as Mrs Crawly or The Dowager. Their scenes together are not filmed as matches.

Nor indeed can MacLaine actually act them. She has no timing. It is as if she cannot act at all any more; doesn’t even know what acting is. To all reports she is great off-camera, but on camera she is inexplicable and a mess.

But this is a minor error. The rest is tops. Of course, you will see it. It is not a question of volition. It is inevitable as birth. If you were born, then sooner or later Downton Abby lies before you.

 

The King’s Speech

06 Jan

The King’s Speech – directed by Tom Hooper – drama about a man who needs to speak properly and his conflict with the man who is hired to help him. Color 2010.

* * * * *

I wept. Helena Bonham Carter, playing the Duchess Elizabeth of Kent, a lady of high good spirits, deep wifely devotion, and a taste for sweets, Geoffrey Rush playing the Australian speech therapist, who without leaving his chair, wrestles her husband to the ground, and Colin Firth playing the to-be and then King George VI of England, who can’t address his people without a stammer, make this a splendid pudding of a picture. The long road to partial mastery of his life-long impediment brought tears to my eyes, and when he finally gives his speech I wept again. The picture is like a horse-picture in which the unlikely mare wins through. And it’s true to life, just as horses are true to life. It takes great heart to overcome a genetic defect or to win a race; both are temporary triumphs and all the more poignant for that. But like horse-pictures, this film bids to be inspiring to us all. I don’t like Colin Firth; I find him technically immature as an actor; I don’t like to look at him; and I don’t think he has much to offer to his roles. Maybe he has always been miscast as leading man, but I sat through this film and watched him here, and he was bearable. Geoffrey Rush is exquisitely funny as the pirate therapist, and Helena Bonham Carter won my heart as the witty dear lady helping her husband to freedom. The great Guy Pearce is probably miscast in the role of King Edward, for he plays it with an intensity incongruent with the louche, diffident, spoiled, pretty, sensual, and stupid David. People like the Prince of Wales who have been given everything do not need to be intense about anything. They are waited upon hand and foot, and all other protuberances besides. He has the right suits, though, and they are a pleasure to see, for The Duke Of Windsor was always spiffy, and Pearce has the part in his hair exactly perfect. But this is a small matter in a small role. You will love it. It’s a picture for hopeless and debauched teenagers. And for folks like me. For anyone who wants a lift in the limousine of  the hopes of couple of odd role models. See it and weep too.

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