RSS
 

Archive for the ‘Michael Gambon’ Category

Quartet

08 Feb

Quartet –directed by Dustin Hoffman. Musical Drama. Into a retirement home for English musicians comes the greatest diva of her day, who refuses to sing along with the others. 98 minutes Color 2012.
★★★★★
Well, go and see it at once. You may expect, as I did, for it to be a sentimental bouquet to the old, but it is not. It is ripe and searching. It is funny. It is beautifully directed and filmed. You couldn’t really ask for a smarter and more gratifying entertainment.

That is to say, until the end. For it is important for me to spoil it for you before it spoils itself for you. There is no ending.

That said, there is a great leading up to it. The foibles and vanities of old age are released to our eyes without embarrassment – and why not? The locale is a beautiful old English mansion, and the musicians –Tom Courtney, Pauline Collins, and Billy Connolly – who support the diva are supported in turn by senior musicians who play their instruments and sing their songs with gusto and skill.

The diva is Maggie Smith, and once again she is really something. She is moving and funny, endearing and true. She is asked to join the other three to sing at a gala in the quartet from Rigoletto, but she won’t. Moreover, it turns out she has once been married to one of the members of the quartet. Oh dear.

I think no more needs be said. Safe to say, these wonderful actors have great big dolloping parts, assisted by Michael Gambon as the in-house director of the gala.

This is the sort of movie that gives us a reason to go to the movies at all.

 

The Omen 666

24 Jan

The Omen 666  -– Directed by John Moore. Creepy Thriller. The Devil Wears Buster Browns when a bad seed starts growing and growing and coming toward you. 110 minutes Color 2006.

*

There is a difference between a role and a character. A role is The Mother, The Husband, The Child. But the writer must also make characters of them or all we have is cutouts. The character allows the actor to create humans out of and inside those roles. It’s done with words said by a character that make him alive, human, and particular. Dickens was a master at this. A character should be like no one else on earth. A character is also created by actions which also define him, by the term Part we mean the action the actor who plays the role takes. “I play the role of the boyfriend. It’s the part of the boyfriend who kills the ogre.”  In Omen 666 there there are roles but no characters, save two. They are not, however, created by the writers, but by the sheer eccentricity of the actors who play them, David Thewlis and Pete Postlethwaite, actors also of a rare  power — by which I mean freedom in their craft. Each brings such particularity to his work because of his voice and appearance, that they come alive, immediately. Julia Stiles as The Mother, however, has no such personality. She is a good actor, of course, but that’s all you’re left with. Not a human being but an actor. Liev Schreiber is another good actor, but the same is true of him. He has a fine figure, a beautiful and well-placed voice, and an interesting face which has no bad camera angles. But he has no lines. Nothing that he says rings true, not because he is unconvincing but because the lines are empty. He has no character to bring to life; he has nothing to work with, but himself, and he himself is not A Role, not An Ambassador, not The Father Of That Boy, not Someone in that situation, because the writers have not made that Someone into an individual. Give an actor as good as Liev Schreiber the merest clue, and he will make of it a memorable creation. Not here. It’s not his fault. The script is clueless. Millions have been spent on this production. You notice it because that’s all there is to notice. When Postlethwaite died, I turned it off.

Michael Gambon, Mia Farrow

 
 
Rss Feed Tweeter button Facebook button Technorati button Reddit button Myspace button Linkedin button Webonews button Delicious button Digg button Flickr button Stumbleupon button Newsvine button