Archive for the ‘Steve Brodie’ Category

Tough Assignment

20 Oct

Tough Assignment – directed by William Baudine. A local reporter and his wife stalk gangsters rustling cattle. Crime. 64 minutes Black and White 1949.


This is lodged in volume 5 of Forgotten Noir, but it has nothing to do with Noir, either in content or treatment — it’s not even filmed as one. But that doesn’t matter. It’s a B film; it was meant to be a B film; it gets 5 stars because it fulfills its intent.

What’s interesting about it is the playing of the minor characters. Each one of them holds the screen in a way that the principal actor does not. Don “Red” Barry as the reporter had played Red Rider for a good long while, and you have to conclude that his prominence here stemmed from the role he had played rather than from his skill or star power.

Not so the supporting people. Joel Blumberg is one of the rare Bonus Feature commentators who, unlike almost all directors, is completely informed and prepared for his subject. For what he does is recite their credits and careers as crew and actors: Steve Brodie, Marjorie Steele (who married Huntington Hartford, the A & P heir who financed the film), Marc Lawrence, Iris Adrian; the editor Harry Gerstad, who this same year won an Oscar for editing Champion and later for High Noon; Stanley Price, Sid Melton, Ben Weldon, Stanley Andrews.

These crew members and actors each made hundreds of films apiece. I love their long careers. The piece-work they did and made a decent living doing. I love actors, their stubbornness and willingness to adapt, their modesty, and their aspiration. For there is not one of them that is not giving his all to the part he plays – and doing that counts for everything in material like this, which would stump the sophistication of a backward third-grader. The director would get $500 to make such a film and make it in a week and go on to the next gig– and the actors did the same, maybe earning less. If you watch these actors in scenes they support, they are more interesting than the star or than the scene they are appearing in, which understandably may draw our attention at first.

But instead, just watch Marc Lawrence, that pock-marked thug with the sunken jaws and keen black eyes. Just watch him respond to the scene at hand. He was working the Bs between filming Diamonds Are Forever, Days Of Wine And Roses, Johnny Apollo, This Gun For Hire, The Ox Bow Incident, Key Largo, Captain From Castile, The Asphalt Jungle, Marathon Man and hundreds of others. He started in the Bronx and entered Eva Le Gallienne’s company and The Group. He died at 95 still active. I love it.

So I sing the praises of actors, actors like these, actors so special in their energy, mein, and visage that they would seldom play leads, but swelled many a scene and made it better. And made an honorable career for themselves their whole lives long.



18 Aug

Desperate – Directed by Anthony Mann. Escape Drama. A framed trucker has to keep getting out of town because gangsters want him dead. 110 minutes Black and White 1947.

* * *

Desperate lacks money and talent behind it and is undermined by a weak performance by the wife. Anthony Mann’s writing leaves the women unfulfilled. The wife has no fight in her and is therefore not worth fighting for. Steve Brodie plays the good boy. He’s a decent enough actor, but his role and its writing and its playing are boring compared to that of Raymond Burr, The Villain  of this Old Fashioned Melerdrmer who sinks his fangs into the vengeful pursuer, letting you see what a real actor can do when he sets his mind to it. Desperate is not noir. Noir does not have a choirboy as a protagonist. It has a cynic or someone about to be a cynic. What this is is an escape picture in a gangster milieu. Poor happily married Brodie rents his truck unwittingly to robbers, and all hell breaks loose. Jason Robards Sr. brings his nail file and nail file voice to the role of the cop.




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